home dorian moore : (digital media) technologist

  • likes QuickSilver [2005.01.15]

    Object orientated productivity

    QuickSilver is what it's creator, Blacktree Inc., call "An evolving framework for accessing and manipulating many forms of personal data." ... to me its a huge step forward in the way computers should work, and I can't wait to see how they extend it's functionality in future, especially with Tiger.

    It addresses a flaw I've long found in computers which is an emphasis on application and operating system, rather than an emphasis on documents and tasks which seems much more practical.

    To this end one extension I could see being great for QuickSilver - though maybe this is the programmer/CLI geek in me - is being able to access the script facilities of programs directly. So, for example, you could call up iTunes and then have access to all of the simple functions in the AppleScript Dictionary for that album that could operate on a third parameter. In a way this would give a shell/CLI like interface to windowed applications.

    Having written that I'm guessing that it is probably me that would want it. It's also a bit like something I'd like to see in a shell, which is a way of simplifying parameter completion, which would be pretty hard to do in a shell context, but would work in the visual context that QuickSilver provides.

    Posted by Dorian Moore on Saturday, January 15, 2005 at 00:00 GMT
    Last modified Thursday, October 20, 2005 at 20:22 GMT

  • likes Streetmusic Arabe [2004.10.28]

    Nettle / Nass El Ghiwane / DJ/Rupture at the Queen Elizabeth Hall.

    A night of music representing the development of arabic music by the influence of western styles.

    Nettle started the evening with the geeky looking Jace Clayton (DJ/Rupture) introducing the players. Buidling upon live precussion and string parts Clayton added to this his own style of sampling and controlled maniupulation to extend the sounds off. At times the three musicians seemed to simple be on stage together by accident, each looking equally at odds with the other. Abdel Hak, on strings, looked like he had simply been placed on the stage, unaware of the audience around him, perhaps a reflection of his skill in the form of experience. The percussionist, Grey Filistine, looked uncomfortable in his suit, but then when they started to move into the music together you could see his eyes becoming entracned by his rhythms. The music all started to form together and the group achieved their potential. These moments more than made up for the moments where it didn't quite seem to work.

    They were followed by Nass El Ghiwane. They built up some amazing trance rhythms whlst playing with their audience and eliciting some amazing vocal harmonies. Their longstanding ability and the comfort of the line-up working with each other was apparent with the ease with which they worked together and built up the songs, proving that this 30 year old, ever changing line up, can still engage. So beautiful it's left me lost for how to describe.

    After a short interval DJ/Rupture returned to the stage, this time as DJ. A difficult taks to pull of he is a DJ, not a turntablist, and watching someone play records in a seated venue isn't the best exepriece. Non the less he should some excellent skills, quickly mixing between arabic vocal tracks on to break beats and layering them together. At times it was difficult to tell if he was actually mixing his skills were so seemless. His skills here show that he has the capability to be a good producer and emphaise what can be achieved by Nettle.

    Following DJ/Ruptue were Clotaire K an Egyptian and Lebanese HipHop band. I couldn't really get into this, and ended up leaving after 4 songs. I think perhaps it would have made more impact had I been able to understand what they were singing (mostly in French) but otherwise it was a bit lost on me. And perhaps the wrong type of band to be following up the other artists, too intense in the theatrical nature of their performance.

    It was nice to see Jace Clayton and Grey Filastine hanging out in the foyer during the interval, helping tout their wares, rather than hiding backstage.

    StreetMusic Arabe
    Post World Industries (Grey FIlastine)
    The Agriculture (Nettle)

    Posted by Dorian Moore on Thursday, October 28, 2004 at 00:00 GMT
    Last modified Thursday, October 20, 2005 at 20:22 GMT

  • likes Chris Watson - Weather Report [2004.10.15]

    Field recordings from a former Cabaret Voltaire member.

    John bought me Weather Report for my birthday last year, and I've been enjoying it ever since. It pops up on my iPod from time to time, and when I'm listening to home. I particulary enjoyed playing around with it on Final Scratch.

    I recently also picked up "Outside the Circle of Fire" which has got some amazing recording on it. Again had some comedy moments going "Owl's, in London?" only to realise it's a track off of this CD picked up on Random. Such are the quality of his field recordings.

    Chris Watson

    Posted by Dorian Moore on Friday, October 15, 2004 at 00:00 GMT
    Last modified Thursday, October 20, 2005 at 20:22 GMT

  • likes William Shatner - Has Been [2004.10.10]

    In particular, "I can't get behind that" with Henry Rollins, and "You'll have time"

    Posted by Dorian Moore on Sunday, October 10, 2004 at 00:00 GMT
    Last modified Thursday, October 20, 2005 at 20:22 GMT

  • likes The small things in life [2004.02.24]

    a lens adapter for my camera

    A small package from nextphoto.net arrived today. It contained a single piece of metal. It was a 58mm to 72mm lens adapter for my Nikon Coolpix 5700. It means that I can put filters on my camera, and still use the full scope of my zoom lens. It's such a simple thing, but will be so nice to use. I wonder why Nikon don't produce one, and why I had to find a company in America to get one shipped.

    But still another vote for the Internet, much more helpful than any camera shop I've been in to... I found it after all [after some searching] and maybe this page will help other people with the same need find it as easily.

    It also has the stunning advantage of making my camera much nicer to hold. Feels more like an SLR now as I can hold the camera with two hands and not obstruct anything.

    Now all I want is for my anamorphic lens to arrive from Italy...

    Posted by Dorian Moore on Tuesday, February 24, 2004 at 19:56 GMT
    Last modified Thursday, October 20, 2005 at 20:22 GMT

  • likes Alice Coltrane - Journey In Satchidananda (Impulse Reissue) [2004.02.07]

    Just wow..

    Posted by Dorian Moore on Saturday, February 7, 2004 at 12:32 GMT
    Last modified Thursday, October 20, 2005 at 20:22 GMT

  • likes The Art Ensemble of Chicago [2004.01.15]

    Theme De Yoyo from Les Stances A Sophie

    Posted by Dorian Moore on Thursday, January 15, 2004 at 11:26 GMT
    Last modified Thursday, October 20, 2005 at 20:22 GMT

  • likes Kid Koala - 'Some of my best friends are DJs' [2003.11.30]

    Turntablism meets New Orleans, a young man telling stories...

    I've been a fan of Kid Koala since I first heard '' on Ninja in, oh, 96?

    Anyway his new album has instantly got me hooked - after takingh 2 months to buy it. His style of composing together sounds is lovely. It explores a number of jazz themes whilst also referencing more modern turntablism. It has a lot of soul and it is more than just a piece of music - it's Kid Koala telling stories.

    Ninja are selling it as a book + CD [a great VAT get out clause guys] and it comes with a beautifully illustrated 50 page comic book drawn by Kid Koala and telling short stories of lifes frustations - Skid's quest for love is something that was refelcted in the 'Carpal Tunnel Syndrome' and the gamesong that James Tindall did for the 'Fender Bender' single. I remember Eric speaking to us at Kleber at the time and saying he didn't want to have any way of loosing the game, and how strongly he felt about anything being done in his name. A very proud artist.

    And it's got a beautiful video on the CD as well.... overall it's a great example of a package which has had a lot of love put into it by the producer, not just another faceless product. The kind of thing that could only be nurtured by an independent record label, not by an artist alone or by people out to make a fast buck.

    He's also great live.

    'Some of my best friends are DJs' ... go buy it.

    Posted by Dorian Moore on Sunday, November 30, 2003 at 14:01 GMT
    Last modified Thursday, October 20, 2005 at 20:22 GMT

  • likes Snowmail [2003.07.06]

    News reports from John Snow and colleagues at Channel 4 News.

    Having not had a television for almost a year I've come to miss some things about it. Mostly being able to watch the news of an evening. However over the time I've become more and more fond of the other way I receive my daily update of what's going on in the world. It's short, and it's a bit more personal.

    Snowmail.

    I also enjoy getting The Wrap from the Guardian every day. And The Informer.

    Predictably I use both the guardian and channel 4 news websites for reading about news, as well as BBC News On-Line.

    But I still like the simplest push media. email. If only there wasn't so much spam.

    Oh, and Jude has just done this: GhostWriter. Which has reminded me to link to medialens. And indymedia. For balance.

    Posted by Dorian Moore on Sunday, July 6, 2003 at 00:00 GMT
    Last modified Thursday, October 20, 2005 at 20:22 GMT

  • likes Christian Marclay & Steve Beresford [2003.07.05]

    Live at the Spitz. Speechless.

    Watch 25 minutes as quicktime video here. Filmed in shakeycam with suroundings sound, but maybe interesting to you. Should stream over dsl/cable modem.

    Posted by Dorian Moore on Saturday, July 5, 2003 at 12:11 GMT
    Last modified Thursday, October 20, 2005 at 20:22 GMT

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